Also returning, The EasyRabbit CreArtions provided the cover art of a wolf smashing through an hourglass illustrated by Spanish artist David López Gómez and designed by Gómez and Carlos Vincente León. Like all of their releases, it was mixed by Mikko Karmila and mastered by Mika Jussila at Finnvox Studios in Helsinki, Finland. Guitarist Midori described it as still rooted in power metal and featuring "notable influences from thrash metal and speed metal." But she noted that they did experiment with acoustic guitars and adopted a different approach to some songs in order to add a "little variation" to their sound in addition to including their first ballad. īassist and bandleader Miho described Clockwork Immortality as featuring "the strongest, most powerful elements" of Battle Against Damnation, with the "speedy and melodic elements" of their first album, Awakening from Abyss. Miyako recorded all of her guitar parts at her home studio using a Dean USA Icon guitar before re-amping, using a Peavey 6505 for the lead and solos and a Marshall for backing. The band created a list of what "qualities" they wanted to include on the album before Miho, Miyako, and Asami started writing in their own teams with their frequent collaborator, Light Bringer keyboardist Mao.
Several of the songs began during the making of the EP. Lovebites started recording Clockwork Immortality before the Jrelease of their second EP, Battle Against Damnation.